Unveiling the Past: A Daily Journey Through Ancient Artifacts
In recent years, a fascinating series of archaeological discoveries has shed new light on the rich cultural heritage of ancient China. Among these finds are several remarkable artifacts that offer a glimpse into the lives of people living in different regions and time periods. The "每天认识一件文物" (Daily Artifact) series has been highlighting some of these incredible objects, and today we'll delve into the stories behind a few of them.

18 March 2025
One of the artifacts featured in the series is the "夜饮图" (Night Drinking Painting) by the renowned Ming dynasty artist, Tang Yin. This beautiful painting measures 30.8 x 90 cm and depicts a group of scholars enjoying a night of drinking and merriment under the light of the moon. The painting is accompanied by a poem that conveys the idea of appreciating the present moment and finding joy in the simple things in life. The artwork is not only a masterpiece of Chinese painting but also provides a window into the cultural and social norms of the time.
Another artifact that has gained attention is the "四系青瓷罐" (Four-System Celadon Vase), which was unearthed in the Pingba Ma chang area of Guizhou Province. This stunning vase is a testament to the advanced ceramics technology of the Eastern Jin and Southern Dynasties. The excavation of 16 ancient tombs in the area yielded a treasure trove of artifacts, including this exquisite vase, which showcases the unique characteristics of local ceramics production during that period.

Additionally, the "四乳丁折腹单耳陶罐" (Four-Nipple Folded-Belly Single-Ear Ceramic Vase) is another remarkable discovery, found in the Hezhang Kele archaeological site. This ancient vase, dating back to the Warring States period, features a distinctive design with four nipples and a folded belly. The artifact is significant not only for its unique design but also for the insights it provides into the burial customs and cultural practices of the ancient "南夷" (Southern Barbarian) people.
In the heart of Guangdong's rich cultural heritage lies a testament to the region's enduring love affair with geese. The Ming dynasty green glaze ceramic goose, currently housed at the Dongguan Museum in Guangdong, stands as a captivating example of this affection. This exquisite piece of craftsmanship boasts an intricate design, where the goose's body is first coated with a layer of green glaze, followed by the meticulous carving of feathers. Notably, the neck of the goose is treated in reverse, with the fine down and hard feathers on the wings being meticulously rendered to showcase their distinct textures.

The ceramic goose is not merely a decorative piece but a window into the cultural psyche of the Guangdong people during the Ming era. It highlights the significance of geese in their daily lives, symbolizing good fortune, fidelity, and prosperity. The level of detail and care invested in its creation underscores the importance of these birds in the regional folklore and mythology.
Furthermore, the tomb epitaph of Tang Dynasty poet Wei Yingwu's wife, Yuan Ping, is a poignant artifact that showcases the profound love and sorrow of the poet. The epitaph, penned by Wei Yingwu himself, is a heartfelt tribute to his wife, who passed away in 776 AD at the tender age of 36. The text reads, "Every time I return home at dusk, I see the cold bed with no one on it. The clothes she wore still carry her scent, and I can still recognize the fragrance of her perfume and powder." These words evoke a sense of profound sadness and nostalgia, revealing the depth of Wei Yingwu's emotional pain.

The epitaph also provides a glimpse into the life of Wei Yingwu and his wife. Yuan Ping was born in 740 AD and married Wei Yingwu in 756 AD. The fact that Wei Yingwu signed the epitaph as "Lang of the Imperial Court, former Secretary of the Imperial Capital" suggests that the couple lived a modest life, despite Wei Yingwu's esteemed position as a poet.
In contrast, the Aquamarine Water Lilies Vase, crafted by Louis Comfort Tiffany's factory, embodies his fascination with water. This series of vases, featuring flowers suspended within the glass, evokes the illusion of being submerged in water. The delicate, dreamlike quality of the vase is a testament to Tiffany's mastery of his craft. Created circa 1913, the Aquamarine Water Lilies Vase is a prime example of Tiffany's ability to capture the essence of nature through his art.

As a prominent figure in the Art Nouveau movement, Louis Comfort Tiffany was known for his innovative approaches to glassmaking. His factory, which produced this exquisite vase, was renowned for its technical expertise and artistic expression. The Aquamarine Water Lilies Vase is a stunning representation of Tiffany's artistic vision and his ability to push the boundaries of glassblowing techniques.
These artifacts, along with many others, demonstrate the diversity and richness of cultural heritage. Each object has its own story to tell, offering a glimpse into the lives of people who lived in different eras and regions. As we continue to explore and learn about these artifacts, we gain a deeper understanding of the complexities and nuances of history and culture.

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